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How did English become a global language?  What exactly is Standard English?  What do slips of the tongue reveal about language?

Studying the English Language answers these questions and many more.  Organised into eighteen thematic chapters, each of which can be read at one sitting, this is a clear and lively introduction to the diversity and history of English, and to relevant contemporary and classic work in linguistics.  Thoroughly updated and revised, this second edition contains three new chapters, on the story of American English, the spread of English across the world and the work of Noam Chomsky.  Wide ranging and easy to use, other topics include the effects of dialect and accent on identity, swearing and offensive names in English, language and gender, language planning and theories about the origin of language. 

Full of entertaining examples, illustrations and useful guides to further reading, this is the ideal companion for all those new to the study of the English language, and essential reading for anyone with a general interest in the subject.

• Sales Rank: #3857131 in Books
• Published on: 2010-08-15
• Released on: 2010-08-17
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.05 pounds
• Binding: Paperback
• 296 pages

Review
"Very clear, and well done. Rob Penhallurick's discussion of work I am familiar with seemed to me very accurate, a lucid introduction to leading ideas in these areas of the study of language." - Professor Noam Chomsky, Massachusetts Institute of Technology

"The first edition was an excellent volume. Now, in this extensive second edition, Professor Penhallurick engages with the full field of studying English language and linguistics, offering guidance on a range of complex material while never losing sight of the everyday experience of language, its history and its fascination." —Martin Coyle, Cardiff University

Praise for the first edition:

"Penhallurick effortlessly weaves anecdotes and examples from popular culture, philosophy, psychology and literature into his discussion of the English language and language in general […..  An engaging and enjoyable read for bright first-year students who need a broad overview of the insights linguistics can offer." —Heather Murray, Department of Applied Linguistics, University of Bern

About the Author
ROB PENHALLURICK is Reader in English Language at Swansea University, having previously held posts in England and Finland.  He has written extensively on the English language, its varieties, history and study.

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~ PDF Ebook Shakespeare's Great Stage of Fools, by R. Bell

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This lively, lucid book undertakes a detailed and provocative study of Shakespeare's fascination with clowns, fools, and fooling. Through close reading of plays over the whole course of Shakespeare's theatrical career,  Bell highlights the fun, wit, insights, and mysteries of some of Shakespeare's most vibrant and often vexing figures.

• Sales Rank: #2747727 in Books
• Brand: Bell, Robert H.
• Published on: 2011-09-15
• Released on: 2011-09-27
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 5.50" l, .80 pounds
• Binding: Hardcover
• 186 pages

Review

'Bell's thoughtful and provocative work is deeply invested in Shakespeare and the play of ideas . . . the arguments on fools in love, unpleasant scourges of folly, and foolish tragic protagonists are brimming with insight and new readings. Bell teases out subtle affinities between such diverse characters and fools, finding that foolery was central to Shakespeare's dramaturgy in ways that have previously been underestimated [in] masterful close readings. Anyone who loves Shakespeare, his fools, and their complexity will find much to engage with here.' - Robert Hornback, Comparative Drama

'This engaging book examines a broad range of foolery, folly, and fooling throughout Shakespeare's plays . . . Especially insightful is Bell's discussion of the folly of tragic heroes, Hamlet, Othello, and Lear. Precise, witty, figurative, and lyrical, Bell's writing, valuable to scholars, students, and all lovers of Shakespeare, will remain important both for its clarity and its well-substantiated, perceptive observations.' - Vicki K. Janik, Renaissance Quarterly

'Lives up to the formula of the Roman poet Horace, who urged authors to teach while delighting. Offering witty, insightful close readings that explain the ways fools help one make sense of the seemingly senseless, Bell shows how 'the fool is on our side and at one with us.' Summing Up: Highly recommended [for] all readers.' - D. Pesta, Choice

'Reading Shakespeare's Great Stage of Fools is a great pleasure. Written with verve and an almost explosive wit, as if the fools helped write it, it reflects both a good deal of recent scholarship and a great deal of experience teaching. Useful to any students as a compendium of good insights, it will infect them with Bell's sense of the sheer fun of reading and watching Shakespeare.' - Michael K. Ferber, Professor of English and Director of Graduate Studies at University of New Hampshire

'I have been waiting for the sequel to Jocoserious Joyce for two decades, and here it is, not a moment too soon. The fool's hour has come round at last, and there is no more capacious, serious guide to foolery and its wisdom than Bell, a master of clowning, an exemplary reader, an unfolder of layer after layer of comedy, and a sensitive listener to its most profound resonances.' - Willard Spiegelman, Hughes Professor of English, Southern Methodist University and Editor-in-Chief, Southwest Review

'Shakespeare's Great Stage of Fools will instruct and delight not only scholars and critics, but all lovers of Shakespeare. Bell has that 'most rare vision': he sees the historical and thematic grand picture as well as the beautiful and mysterious details. Like a modern Erasmus, Bell shows how we are all ensnared and yet sometimes saved by folly. His deep insight and superb prose hold a clarifying mirror to Shakespeare's plays, and to ourselves.' - Peter Campion, Editor, Literary Imagination and author of The Lions

About the Author

Robert H. Bell is Frederick Latimer Wells Professor of English at Williams College. He is the author of many scholarly works, including Jocoserious Joyce: The Fate of Folly in Ulysses. He is winner of the Robert Foster Cherry award for Great Teachers and of the Carnegie/CASE U. S. College Professor of the Year. 

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3 of 3 people found the following review helpful.
Brilliant.
By Anna Antonova
Robert Bell is an engaging, spirited writer; and he writes on a topic he is both passionate about and widely competent in. This is no dry and dusty dissertation: his book is fun to read, even as it is exceptionally enlightening. An absolute must for all Shakespeare lovers and anyone who has ever seen past the smiling face of a clown; a priceless find for students and academics. In one word... brilliant.

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These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.

• Sales Rank: #2938759 in Books
• Published on: 2010-08-15
• Released on: 2010-08-31
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .69" w x 5.50" l, .90 pounds
• Binding: Hardcover
• 236 pages

Review

'These bracing essays offer many fresh insights into the well-known trope of the femme fatale, a subject that has received much recent critical attention, but seldom with the skill and perception that characterizes this volume. [...] An excellent book for women's studies, film noir classes, or any course that studies the female protagonist in film history. [...] Highly recommended.' - G. A. Foster, Choice

About the Author
MELANIE BELL Lecturer in Film at Newcastle University, UK ANN DAVIES Senior Lecturer in Spanish at Newcastle University, UK KAREN L. EDWARDS Senior Lecturer in Renaissance Literature at the University of Exeter, UK JULIE GROSSMAN Professor of English and Communication and Film Studies at Le Moyne College in Syracuse, New York, USA SUSAN HAYWARD Professor of Cinema Studies at the University of Exeter, UK OLGA KOURELOU PhD student at King's College London, UK JOHN L. MARAMBIO Professor of Spanish and Linguistics at the University of San Diego, California, USA STEVE NEALE Professor of Film Studies at Exeter University, UK GRISELDA POLLOCK Professor of Social and Critical Histories of Art at the University of Leeds, UK JOY RAMIREZ PhD Comparative Literature, has taught Italian literature and film at the University of Colorado, the Colorado College and Vanderbilt University, USA MARCIE RINKA taught most recently the University of San Diego, USA JESS SULLY MPhil in Comparative Literature and History of Art at Goldsmiths College, University of London, UK ROSIE WHITE Senior Lecturer in English at Northumbria University, UK MARY WOOD Professor of European Cinema at Birkbeck, University of London, UK

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This exciting collection offers a range of undutiful feminist voices of our time.

• Sales Rank: #3346460 in Books
• Brand: Brand: Palgrave Macmillan
• Published on: 2012-09-04
• Released on: 2012-09-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .63" w x 5.50" l, .90 pounds
• Binding: Hardcover
• 222 pages

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Review

"This book offers radically new ideas circulating alongside neologisms: fluid bodies that live in aleatory and disruptive times, beyond and within the organism, in contact with the ecosystem and with life itself, while motherhood takes the place of advanced technologies and vice versa. Contributions are budding in creations that are at once aesthetic, philosophical, and political: dissidence, anarchism, humor, but also solidarity, vitality, and subversive resistance. The voices of these 'undutiful daughters' do not advocate a new system of values they do not belong to any cult of identity that would lock them up in some commonplace universe. The alternative that is proposed in their hymn to singularity and creativity is a 'multiverse' (to adopt a term from modern cosmology). A utopia? Our future." -Julia Kristeva, University of Paris 7 Denis Diderot, France

"A polyphony of singular feminist voices tuned on the 'third wave' critical rhythm, this book is relevant to both mapping the multiple threads of feminist theory and providing new conceptual sounds, in order to revitalize the unruly spirit that has been an essential feature of feminism. It succeeds in cracking the surface of a seemingly stagnating present and provides unforeseen political and speculative routes for feminisms-to-come." - Adriana Cavarero, University of Verona, Italy

"This wonderful collection challenges practices and tropes of loyalty, transmission and generational fidelity by suggesting the affirmative and generative, rather than reproductive, potentiality of feminist theorization. Arguing for unfaithfulness as a form of critical disobedience, the contributors articulate forms of feminist theory that are not beholden to the genuflection to foremothers but are rather always complex in its temporal affiliations and divergences with histories and identities. A must-read for those invested in the multiple futures of feminist theory." - Jasbir Puar, Rutgers, United States

About the Author
Henriette Gunkel received her Ph.D. in Cultural Studies from the University of East London (UK) and is a Post-doctoral Research Fellow at the Bayreuth International Graduate School of African Studies, University of Bayreuth, Germany. She is the author of the book The Cultural Politics of Female Sexuality in South Africa, co-editor of darkmatter's third themed issue on the subject of postcolonial sexuality, and co-editor of the anthology What Can a Body Do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. She is also the co-curator of the annual African Film Festival Cinemameu in Inhambane, Mozambique.

Chrysanthi Nigianni holds a Ph.D. from the University of East London, and has recently joined the thinking-machine of a neo-materialist feminism. Educated in the social sciences—she has a sociology degree from Panteion University (Athens), and an MSc in Sociology from the London School of Economics (LSE)—she then took the turn to philosophy and feminism with the focus being on queer theory, theories of sexuality, and continental philosophy. She has taught at the University of East London (London) and at Anglia Ruskin University (UK). She is co-editor of the book Deleuze and Queer Theory, and of the New Formations issue on 'Deleuze and Politics.' She is currently a visiting scholar at CUNY GLAGS, where she is working on a manuscript on film as philosophy.

Fanny Söderbäck is an assistant professor of Philosophy at Siena College. She received her Ph.D. in Philosophy from the New School for Social Research in 2010. She is the editor of Feminist Readings of Antigone, and her work has been published in journals such as Signs: Journal of Women in Culture and Society, philoSOPHIA: A Journal of Continental Feminism, and in French in l'Infini. She is the co-founder and director of the Kristeva Circle. She is currently working on a book manuscript tentatively entitled Time for Change: On Time and Difference in the Work of Kristeva and Irigaray.

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A blend of political theory, social theory, and philosophy of culture, the book will show the relationship and tension between thought and action, politics and literature, power and dissent in modern politics and culture.

• Sales Rank: #6126802 in Books
• Published on: 2011-08-15
• Released on: 2011-08-16
• Original language: English
• Number of items: 1
• Dimensions: 8.59" h x .70" w x 5.82" l, .85 pounds
• Binding: Hardcover
• 205 pages

Review

"Passionate and erudite, engagingly written and courageously profound, this new book by Leonidas Donskis highlights the meanders, dilemmas, and paradoxes of modernity. It should be read by all those who reject simplistic platitudes and who are not afraid of often disturbing complexities." - Vladimir Tismaneanu, University of Maryland"This is a powerful original contribution to the philosophy of culture. Donskis shows that modernity is perforce always troubled, for we are confronted with competing cultural and political traditions from which we have emerged, while we are obliged to face divergent directions for our next steps. The result of Donskis s bold exploration is an impressive travelogue of the human spirit in which the reader takes an active part. This is truly what must be called an engaging book." - Robert Ginsberg, Director, The International Center for the Arts, Humanities, and Value Inquiry

About the Author
LEONIDAS DONSKIS is Professor and Dean of the Faculty of Political Science and Diplomacy at Vytautas Magnus University Kaunas, Lithuania.

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# PDF Download Beyond Hofstede: Culture Frameworks for Global Marketing and ManagementFrom Palgrave Macmillan

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Hofstede introduced a culture paradigm that has been widely influential in international business. However, its relevance in light of culture's increasing complexity due to globalization has been questioned. Alternative culture frameworks and perspectives are offered by leading scholars in global marketing and management.

• Sales Rank: #3993188 in Books
• Published on: 2009-08-15
• Released on: 2009-08-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .69" w x 5.50" l, 1.00 pounds
• Binding: Hardcover
• 290 pages

About the Author
CHERYL NAKATA is Associate Professor of Marketing and International Business at the University of Illinois at Chicago, USA. This book is motivated by her interest in cultural understanding for businesses. Her award-winning research has appeared in leading journals and books. She was a marketing research manager in and consultant to Fortune 500 companies.

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Moving the intercultural field foreward
By George F. Simons
As Aristotle to scholastic philosophy, so Hofstede to intercultural studies. The question is, of course, “Where would we be without him and how far can we go with him?” Beyond Hofstede is a highly academic treatment of the question from the perspective of marketing and management studies, but not without interest for those who both teach and do consulting and training in intercultural matters.

As a practitioner who is frequently called upon to sit on academic committees for the dissertations of students seeking advanced degrees, I have been struck with the lack of interdisciplinary research and creativity in the assignment and approval of research work. On the one hand, it is essential to know the boilerplate of the field, while on the other hand it is important to creatively expand intercultural perspectives and not simply apply and verify what we have long been using. There is both a fear and a need to move forward in new directions.

Intercultural marketing has the advantage of concrete feedback on the application of intercultural know how—products either sell or do not sell strongly on the basis of cultural fit among other factors, and “getting it right” is essential to commercial enterprises. Unlike management and diversity consultants’ struggles to demonstrate value added, ROI is concrete and more measurable in marketing.

Since the inception of Geert Hofstede’s seminal research and, despite its ongoing replication and development, some core concerns have arisen that impel us to both examine the extent of its validity as well as to take into account new societal developments. These factors demand that we enlarge the scope of intercultural inquiry and its applications. Since Hofstede’s original inquiries and the development of its exploratory framework, internationalization and globalization have spread exponentially. Moreover, our understanding of culture and cultures themselves have become increasingly complex due to mobility and exchange of personnel and practices. Certainly it has become clear that broadbrush definitions of cultures as national and ethnic are at best starting points for viewing the diversity that flourishes within these entities and, in fact, this approach may incline its users to overlook this diversity all to easily. Today’s researcher must ask: what are the units of cultural attribution and, how much granularity can be allowed before the boundaries of meaningful cognition are reached? Quite a few of the essays in this book struggle with this dilemma in the background.

Predictive or reflective? While not able to predict behavior, cultural theory and its applications help us interpret it and respond with greater insight and appropriateness. So the questions that need regularly to be asked are: At what levels of aggregation is it beneficial to research cultures and apply the findings? What are the useful perspectives from which we can define and look at culture? Do we begin with values or behaviors, or…?

The diverse authors of this anthology broaden our perspective of the complexities found at the organizational and individual levels, both psychological and social. Certainly the globalized membership of today’s organizations and the swelling numbers of bi-and multicultural individuals among us demand not just greater awareness and adjustment on our part personally. They also beg new perspectives and fresh mental models on the theoretical level, to say nothing of an expanded panoply of tools and resources for addressing our intercultural challenges, whether in marketing, as is the focus of Beyond Hofstede, or in the worlds of organizational management, education, politics or diplomacy.

In Chapter 11, for example, Liu and Dale examine the use of mental models in the study of culture with a focus on how the dynamics of mental models are shared and converge between individuals. If “mental models” sounds a bit clinical and abstract, we need to remember that humans invest them with feeling and significance and they often take on the clothing of story and metaphor. Establishing and relating these mental models is another way of looking at the tasks of intercultural communication, negotiation, advertising, etc.

Another way to examine the effects of culture in our lives is to research the circumstances under which culture “kicks in” in a big way to affect our perceptions, judgments, motivations and decision making. Significant work has been done here, but it is a moving target which demands ongoing attention to the dynamics and circumstances under which people are motivated to take decisions. There is certainly a difference in how people make decisions if under stress and want, in contrast to how they are motivated to decide and act if they are operating in an environment of abundance.

The authors of Beyond Hofstede generally write in high context of their expertise and there are exceeding few examples, stories or cases to illustrate their perspectives. However, several of the authors review the literature of the field they are concerned with in comparative frameworks, nicely charted, that help us to see the progress of critical thinking in the intercultural field over the past few decades.

Towards the close of the volume, the author attempts an overview and a framework for the approaches that are found in the literature cited and in the work of the contributors to this study. She looks first at ontological traits, essentially views of culture as a “thing” that is cognitive in nature, bounded and fixed, coherent and unified. My sense is that theoreticians are more likely to get locked into this perspective rather than those of us who are engaged in the nitty-gritty of everyday interaction where we more easily recognize diversity, flow and complexity.

She then turns to the epistemological structure. Here there are likewise theoreticians who maintain culture as driving and deterministic as opposed to those whose epistemology focuses on organic development of culture as a phenomenon to be studied, classified and verified. This is subject to rational analysis according to modernistic philosophical and scientific tenants, largely where intercultural studies are focused in the Hofstedian and similar models. This shades off, however, into the tendencies of postmodernism where reality and certainly culture are seen as socially constructed and, given the marketing focus of this book, the place where the symbols and stories we fabricate determine the reality we experience as well as being our creations.

Readers should be prepared for quite a few highly technical discussions that require a mastery of statistical and other research technologies. It is easy to become resentful of the flood of opaque terminology, often undefined in its context and certainly not aimed at enabling readers, particularly if they don’t share either the field or the English tongue at higher levels. In addition, it is important to read the various analyses with the perspective of the history of philosophy in the background—how the waves of thinking about thought have shaped the theory and inquiry we produce at various points in time. Finally, Beyond Hofstede is a provocative resource for suggesting research directions that are more flexible, more interdisciplinary and more creative as we acknowledge the contributions of Hofstede as well as reframe cultural exploration.

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Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.

• Sales Rank: #5046792 in Books
• Published on: 2011-07-15
• Released on: 2011-07-15
• Original language: English
• Number of items: 1
• Dimensions: 8.77" h x .72" w x 5.80" l, .90 pounds
• Binding: Hardcover
• 209 pages

Review

'Hohman writes engagingly, and recounts many fascinating episodes in the history of Russian performance in the U.S. during the period she covers.' -Anne Winestein, Ballet Russes Cultural Partnership with Boston University, The NEP Era: Soviet Russia 1921-1928

About the Author
VALLERI J. HOHMAN is an Assistant Professor in the Department of Theatre at the University of Illinois at Urbana-Champaign, USA.

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Employing a range of approaches to examine how "monster-talk" pervades not only popular culture but also public policy through film and other media, this book is a "one-stop shop" of sorts for students and instructors employing various approaches and media in the study of "teratologies," or discourses of the monstrous.

• Sales Rank: #2821985 in Books
• Brand: Picart, Caroline Joan S. (EDT)/ Browning, John Edgar (EDT)
• Published on: 2012-07-17
• Released on: 2012-07-17
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .81" w x 6.14" l, 1.35 pounds
• Binding: Hardcover
• 326 pages

Features

• Used Book in Good Condition

Review

"This book is a must-read for students and scholars of teratology, monsters, the fantastic, and the detested other. Spanning a fascinating gulf of disciplines and genres, the authors illustrate just how interconnected we are with the monsters in our midst and the extent to which our understandable desire to define ourselves in opposition to the monstrous both creates and destroys the barriers between the human and the other. This book will change the way you think about crime, victimhood, knowledge, the normal, and our own place in the universe. From Dracula to the Holocaust, from gender to disability, this book challenges our own belief in the possibility of self-knowledge and questions the foundations of our self-defined humanity.' - Danaya C. Wright, Clarence J. TeSelle Professor of Law, Levin College of Law, University of Florida

"All too often topics are betrayed in their treatment - creativity is discussed unimaginatively, art is approached unartfully or even artlessly, philosophy itself taken up thoughtlessly (at least without sufficiently sustained, probing thoughtfulness). Not so in this instance. Indeed, the category of monstrosity is itself monstrous. It is at once dependent upon traditional distinctions between the normal and a forever shifting array of opposites and in conflict with those historically entrenched dichotomies. The essays in this volume exhibit in detail the monstrous - in the sense of both the frighteningly huge and fiercely unsettling - force of this philosophical category. They do so in reference to a broad spectrum of cultural phenomena. The editors' finely crafted introduction however provides a useful map to this vast terrain.' - Vincent Colapietro, Liberal Arts Research Professor of Philosophy, The Pennsylvania State University

'This collection of essays offers more than a unique contribution to social theory - it is a comprehensive framework for understanding how humans construct otherness. The work is critical for law since judges, police, and other legal actors repeatedly construct the criminal as monster, which lays the foundation for punishment that knows no bounds, including death. In an age of mass incarceration and fears of terrorism, this work is as timely as it is fascinating." - SpearIt, Assistant Professor of Law, Saint Louis University, School of Law

About the Author
Lonnie Athens is a professor in the Department of Criminal Justice at Seton Hall University. Jason C. Bivins is an associate professor and the associate department head in the Department of Philosophy and Religious Studies at North Carolina State University. Harry M. Benshoff is an associate professor of Radio, Television, and Film at the University of North Texas. Noël Carroll is Distinguished Professor of Philosophy at the Graduate Center of the City University of New York and one of the leading philosophers of art and aesthetics in the US. Margaret L. Carter is a writer and scholar of horror. Jeffrey Jerome Cohen is a professor of English and the director of the Medieval and Early Modern Studies Institute (MEMSI) at the George Washington University. Ian Conrich is a fellow in the Department of Literature, Film, and Theatre at the University of Essex. David Frank is a professor of Rhetoric at the University of Oregon and the academic dean of the Robert D. Clark Honors College. Ken Gelder is a professor of English at the University of Melbourne. Cecil Greek is an associate professor of Sociology at University of South Florida Polytechnic. Judith ('Jack') Halberstam is a professor of English, American Studies and Ethnicity, and Gender Studies at the University of Southern California. Mark Jancovich is a professor of Film and Television Studies at the University of East Anglia. Ôrît K?mîr is a professor of Law, Culture and Gender at the Peres Law School in Israel. Dominick LaCapra is Bryce & Edith M. Bowmar Professor in Humanistic Studies at Cornell University. Kathleen Long is a professor of French in the Department of Romance Studies at Cornell University. Patricia MacCormack is a reader in English, Communication, Film and Media at Anglia Ruskin University, Cambridge. Andrew Hock-Soon Ng is a senior lecturer in Literature at Monash University Malaysia. Daniel A Novak is an associate professor of English at Louisiana State University. Dejan Ognjanovi? received his PhD from the University of Belgrade and was a Fulbright Scholar at the University of California, Berkeley. Stephen Prince is a professor of Theatre and Cinema at Virginia Tech. June Pulliam teaches courses in horror and adolescent literature at Louisiana State University. Laurence A. Rickels is a professor of art and theory at the Academy of Fine Arts in Karlsruhe. David J. Skal is an author and an annual visiting lecturer in popular literature at Trinity College. Carla María Thomas is a Henry M. MacCracken Fellow at New York University.

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This book analyzes the interaction between gender and species in Chaucer's poetry and strives to understand his adaptation of medieval discourse through an ecofeminist lens. Works that either speak of animals, or those with animals speaking, give new insights into the medieval textual handling of the 'others' of society.

• Sales Rank: #5164824 in Books
• Published on: 2011-09-15
• Released on: 2011-10-11
• Original language: English
• Number of items: 1
• Dimensions: 8.67" h x .75" w x 5.68" l, .85 pounds
• Binding: Hardcover
• 215 pages

Review

"For decades now Kordecki has been teaching us that Chaucer is also usefully understood as a, so to speak, poet-avian, a writer instructed by, and who, in turn, shares with his readers, the beauty and the habits and the lore of those creatures, from one perspective, freest of all Nature s creatures, birds, who soar above us, nest among us (and, yes, also besplatter our windshields), representing to us the very air of liberty as they also confront us, as they did Chaucer, with voices we hardly can merely ventriloquize - it is good now to have all of Kordecki's studies in one volume, that we can the better see how Chaucer developed his own voice in dialogue with Nature, the Mother of birds and humans alike." - R. Allen Shoaf, editor emeritus, EXEMPLARIA

"Ecofeminist Subjectivities addresses a need for work that combines close reading with comprehensive knowledge of new theoretical work in ecocriticism, feminism, and critical animal studies. The analysis is both innovative and powerfully synthetic. The thesis is closely argued, timely, and ethically significant. The book shifts our perspective on major Chaucerian texts and opens the way for further studies that explore medieval representations of species." - Carolynn Van Dyke, Francis A. March Professor of English, Lafayette College.

About the Author
LESLEY KORDECKI Professor of English atDePaul University, Chicago,USA.

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Islam and Eastern African Novel uses Islam as lens through which to examine fiction produced in a particular part of Africa, renewing conceptual and definitional conversations about race, nation, coloniality, diaspora, and the novel form itself in an African and postcolonial context.

• Sales Rank: #7516906 in Books
• Brand: Brand: Palgrave Macmillan
• Published on: 2011-05-15
• Released on: 2011-06-07
• Original language: English
• Number of items: 1
• Dimensions: 8.60" h x .73" w x 5.75" l, .85 pounds
• Binding: Hardcover
• 208 pages

Features

• Used Book in Good Condition

Review

"This book will reward anyone interested in gaining a better understanding of Islam in East African literatures. Proponents of close readings and thematic studies will find this book extremely useful as the analysis is a remarkable effort in rescuing Islam from the margins of cultural theory, allowing the voice of African Muslims from the eastern African coast to be emphatically heard. But most of all, Mirmotahari's sensitive study of Islam is a timely rejoinder to critics of African literatures who have repeatedly engaged in poorly informed interpretations and readings of Islam in African literary fiction, stemming mostly from a lack of proper knowledge and sensitivity to the religion and its practitioners." - Contemporary Islam

"The most comprehensive study of Islam in Eastern African fiction to date, Mirmotahari's book is a welcome addition to the region's re-visioning of its multi-cultural, multi-ethnic, and multi-religious history. Well researched and well-argued, this book provides new perspectives on the work of Nuruddin Farah and will hopefully encourage teachers to introduce lesser-taught authors such as Abdulrazak Gurnah and M.G. Vassanji in the classroom." - Gaurav Desai, Tulane University

"Islam in the Eastern African Novel is a superb study that extends and deepens our understanding of the African novel, while at the same time illuminating a panorama of African history that strikingly reveals the inadequacy of the Atlantic paradigm for comprehending the broader expanse of the black world." - Robert Elliot Fox, Southern Illinois University

About the Author
EMAD MIRMOTAHARI is an assistant professor in the English department at Duquesne University in Pittsburgh, PA.

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Discussing the most pressing global challenges, this book suggests ways for the Obama Administration to tackle them in a holistic manner. In particular, the book proposes effective measures for various problems like the war on terror, resolution of the Arab-Israeli dispute, and forging of better relations with the Muslim World.

• Sales Rank: #10616391 in Books
• Published on: 2011-05-15
• Released on: 2011-05-24
• Original language: English
• Number of items: 1
• Dimensions: 8.62" h x .69" w x 5.76" l, .85 pounds
• Binding: Hardcover
• 198 pages

About the Author

M. M. Zaki is a former Professor and the Founding Director of the Center for Strategic Studies at Aligarh Muslim University and a retired Brigadier in the Indian Army.

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