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This collection maps the Beat Generation movement, exploring American Beat writers alongside parallel movements in other countries that shared a critique of global capitalism. Ranging from the immediate post-World War II period and continuing into the 1990s, the essays illustrate Beat participation in the global circulation of a poetics of dissent.
- Sales Rank: #1347807 in Books
- Published on: 2012-01-15
- Released on: 2012-01-31
- Original language: English
- Number of items: 1
- Dimensions: 9.68" h x .62" w x 5.99" l, .90 pounds
- Binding: Paperback
- 282 pages
Review
'The Transnational Beat Generation explores the global dimensions of Beat literature in a series of solidly researched essays about the world-wide influence of major and minor Beat authors during the second half of the twentieth century. This book will stimulate thought and provoke controversy as certainly as it will enlarge our frame of reference for Beat writing. It makes the case not only that Beat writers created literature that inspired resistance movements throughout the world, but also that they continue to represent the spirit of freedom to young readers everywhere.' Ann Charters, emeritus professor of American literature, University of Connecticut and editor of The Penguin Beat Reader and The Penguin Sixties Reader
'The Beat Generation has often been presented as quintessentially American despite its critique of American culture and politics. This collection brings new light to this avant-garde movement by re-examining the international aspects of its roots as well as later reverberations. With historical documentation and literary analysis these essays demonstrate convincingly that much of what we now associate with global postmodernism was already evident in the work of a more widely dispersed Beat Generation.' - Robin Lydenberg, Boston College
'In essays that range around the world and across cultures, The Transnational Beat Generation has marked out a rich field that makes a natural fit for artists who above all else lived and wrote beyond borders; this book will open up Beat Studies and point it in new, uncharted directions.' - Oliver Harris, president of the European Beat Studies Network
About the Author
Nancy M. Grace is the Virginia Myers Professor of English and chair of the Women's, Gender, and Sexuality Studies Program at The College of Wooster. She is the author of The Feminized Male Character in Twentieth-Century Literature, co-editor of Girls Who Wore Black: Women Writing the Beat Generation (with Ronna C. Johnson), co-author of Breaking the Rule of Cool: Interviewing and Reading Beat Women Writers (with Ronna C. Johnson), and author of Jack Kerouac and the Literary Imagination. She the published and edited 681 Lexington Avenue: A Beat Education in New York City 1947-1945 (2008) by Elizabeth Von Vogt, sister of John Clellon Holmes. Grace is a founding board member of the Beat Studies Association and co-editor of The Journal of Beat Studies.
Jennie Skerl was associate dean of the College of Arts and Sciences at West Chester University and is a founding board member and past president of the Beat Studies Association. She has published William S. Burroughs, William S. Burroughs at the Front: Critical Reception, 1959-1989 (co-edited with Robin Lydenberg), A Tawdry Place of Salvation: The Art of Jane Bowles, and Reconstructing the Beats. Skerl edited the Winter 2000 special issue of College Literature on Teaching Beat Literature and contributed to Naked Lunch @ 50 (edited by Oliver Harris and Ian Macfadyen).
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