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The Cultural Sociology of Political Assassination: From MLK and RFK to Fortuyn and van Gogh, by R. Eyerman
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Developing the theory of cultural trauma in regard to the shattering potential effects of political assassinations, Eyerman examines political and social life in three different national contexts: Martin Luther King, Bobby Kennedy, and Harvey Milk in the U.S.; Theo Van Gogh in the Netherlands; and Olof Palme and Anna Lindh in Sweden
- Sales Rank: #3489913 in Books
- Brand: Brand: Palgrave Macmillan
- Published on: 2011-09-15
- Released on: 2011-10-11
- Original language: English
- Number of items: 1
- Dimensions: 9.33" h x .44" w x 5.93" l, .60 pounds
- Binding: Paperback
- 191 pages
- Used Book in Good Condition
Review
"It is a pleasure to welcome Ron Eyerman's brilliant contribution to our understanding of the dark dynamics of political assassination, cultural trauma, and collective memory. His work is at once psychologically sensitive and socially perceptive, theoretically sound and empirically informed, subtle and lucid in interpretation, case-based and responsive to comparative cultural context - an exemplary social-science enterprise." - Neil J. Smelser, University Professor of Sociology Emeritus, University of California, Berkeley
"Political assassinations can be deep cultural traumas, and as Ron Eyerman shows, analyzing them can yield important insights into national cultures. This book helpfully broadens thinking about political culture and also shows why certain political events matter beyond the limits of politics narrowly understood." - Craig Calhoun, President, Social Science Research Council; University Professor of the Social Sciences, New York University
About the Author
Ron Eyerman is Professor of Sociology and Co-Director of the Center for Cultural Sociology at Yale University. He is the author of The Assassination of Theo van Gogh (2008) and Cultural Trauma Slavery and the Formation of African American Identity (2001).
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Culture and Assasination
By Russell Stover
Ron Eyerman's The Cultural Sociology of Political Assassination: From MLK and RFK to Fortuyn and van Gogh analyzes assassinations as a cultural trauma. He applies the theory of cultural trauma to six political murders: Martin Luther King, Jr., Robert Kennedy, Olof Palme, Anna Lindh, Pim Fortuyn, and Theo van Gogh. He examines the process of making meaning out of what starts as a crisis but through the media and those he calls carrier group grows into something much more in the cases of King, Kennedy, Fortuyn, and van Gogh; but not in the cases of Palme and Lindh. Why did these incidents have such a deep impact in the United States and the Netherlands but not in Sweden? Is it unique to a country's history? Its media? Is it an effect of modernization or a symptom?
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